Monday, 30 January 2012
A concept using the contemporary vision of a small town to inform the transformation of former asylums (often with listed buildings and landscapes) into communities or urban quarters.
John Burrell’s ground-breaking and award-winning work on the reuse of institutional brownfield NHS land was published in 1987 with the aid of an RIBA Research Award as ‘The Psychiatric Hospital as a New Community’. It has had far-reaching influence on planning policy and John Burrell became a member of the Labour Party working group on Urban Design and Planning.
Monday, 23 January 2012
The Institute for Government is an independent centre formed in 2008 to help make government more effective. They aims are to carry out research, look into the big governance challenges of the day and find ways to help government improve, rethink and sometimes see things differently. Burrell Foley Fischer LLP were the Architects for the refurbishment and remodelling of the Institute’s new Listed Grade II* headquarters in Central London.
The building incorporates space for researchers, training and social events, a boardroom, a lecture theatre, meeting rooms, offices, a library and dining and reception facilities.
Monday, 16 January 2012
A landmark building located in the former P&O docks, provides two auditoria for film and video exhibition and conferences, an exhibition space, a café bar and education facilities. The design celebrates the experience of cinema going, and being the antithesis of the black-box space, it provides a contrast to its multiplex rivals. The foyers, café bar and offices have an open aspect which fully exploit the centre’s dockside location.
The building, completed in 1995, was shortlisted for The Sunday Times/Royal Fine Art Commission Building of the Year Award 1995 and gained a Civic Trust Commendation 1997. Harbour Lights is attributed with having had a leading influence on the design of a new generation of cinemas.
Wednesday, 11 January 2012
We are pleased to announce that Faye Davies, an Architect in the Practice, has been accepted on to the RIBA Conservation Register. The register enables those looking to commission work on heritage buildings to find architects with the specific skills and experience they require, encompassing all aspects of historic building conservation, repair and maintenance.
|The Royal Society History of Science Centre|
Faye has extensive experience in the conservation of Historic Buildings and has been the Project Architect on a number of projects involving the repair, conservation and remodelling of buildings Listed Grade I, Grade II* and Grade II. She has completed the Society for the Protection of Ancient Buildings "The Repair of Old Buildings" course and has a strong track record of working on historic buildings from feasibility to completion.
|The Academy of Medical Sciences|
Faye was the Project Architect on the refurbishment of an early Georgian terraced house linked to a mews house (Listed Grade II), into a family residence, the refurbishment of 41 Portland Place (Listed Grade II*), to form the new headquarters of the Academy of Medical Sciences and the refurbishment of rooms in the Carlton House Terrace headquarters of the Royal Society (Listed Grade I) to form their History of Science Centre. She is currently working on the refurbishment of a Crown Estate property on the edge of Regent's Park (Listed Grade II) to form a private residence for a private client.
Monday, 9 January 2012
The building started life in 1850 as a market hotel and through a number of transformations became a cine-variety theatre. It was subsequently used as a cinema until the mid 1970s when it was brought back into use as a theatre after threatened demolition. Prior to development, the Theatre Royal suffered from extremely cramped front- and back-of-house areas. The acquisition of two adjacent Listed Georgian terraced buildings offered the opportunity for comprehensive renovation and extension of the existing building.
Burrell Foley Fischer LLP won a design competition to develop a new strategy for the Theatre, providing a new entrance foyer, a bar foyer in a covered courtyard, improved stage and backstage facilities, as well as a comprehensive programme of refurbishment and improvements to the auditorium, seating capacity 420. Careful articulation of the building’s surface textures, materials and spaces has allowed the history of successive generations of use to be revealed while opening up new and delightful spaces.
Awards for the building include The Winchester City Council Award for Good Architecture 2001 and a Civic Trust Award 2003.
Tuesday, 3 January 2012
Happy New Year. 2012 marks the thirtieth anniversary of Burrell Foley Fischer. Over that period we have become recognised as one of the leading practices specialising in buildings for cinema, media and the performing arts, together with urban design, residential and educational design and the adaptation and restoration of historic buildings. We are proud that the buildings designed by the Practice stand the test of time and are being used and enjoyed by large numbers of people every single day, whether as places to live, to work, to learn, to collaborate or simply to socialise and relax.
Burrell Foley Fischer LLP won a design competition in July 1997 to design a temporary shop on the forecourt of the British Museum while the existing shop was decommissioned for the Great Court Project. The challenge was to design a contemporary building that could sit happily in front of Smirke’s great portico and that would provide an accessible, enticing environment for trading by December 1997.
Over the course of this anniversary year we will take the opportunity to look back at a number of our schemes, those that were built and those that never progressed beyond the drawing board (of course in the early days it really was the drawing board!). Starting with a project designed to exist for just three years...
A simple trabeated structure of large Douglas Fir sections, reflecting the rhythm of the adjacent colonnade, allowed the shop to evoke references to the origins of the Museum’s classical architecture in the primitive hut. The shop was designed so that it could be taken down after three years leaving no trace on the forecourt, obviating the need for Listed Building Consent.